Istanbul embraces two continents, one arm reaching out to Asia, the other to
Europe. In the city's heart, the Bosphorus
Strait, course the waters of the Black Sea, the Sea of Marmara and the
Golden Horn. The former capital of three successive empires -- Roman, Byzantine
and Ottoman -- today Istanbul honors and preserves the legacy of its past while
looking forward to its modern future.
Indeed, it is Istanbul's variety that fascinates its visitors. The museums,
castles, palaces, great mosques, bazaars and sights of natural beauty seem
inexhaustible. As you recline on the shores of the Bosphorus at sunset
contemplating the red evening light reflected in the windows on the opposite
shore you understand, suddenly and profoundly, why so many centuries ago
settlers chose to build on this remarkable site. At times such as these, you
feel that Istanbul is truly one of the most glorious cities in the world.
In addition to its unique historical and cultural background and innumerable
attractions, the modern hotels, exclusive restaurants, night clubs and shops
make Istanbul a superb site for meetings, conferences and conventions.

A JOURNEY INTO THE HEART OF
HISTORY
Although
Istanbul has a past of more than two thousand years, it's not a city whose
antiquity is apparent at first glance. Much of the cultural heritage that
Istanbul has acquired as a result of its being a capital of several empires is
hidden away amidst modem buildings lining streets that have frequently been
redrawn from one generation to the next. Palaces, mansions, fountains, and
monuments of every kind lurk silently within the bustling vitality of this giant
metropolis' day-to-day existence and patiently wait to be discovered and seen by
those with a more discerning and inquisitive eye.
For those who want to follow the trail of
Istanbul's ancient past however, the "Historical Peninsula" lying
between the Golden Horn and the Sea of Marmara is like an oasis because a
substantial part of the city's rich store of Roman, Byzantine, and Ottoman works
is to be found lying on this elongated arm of land.
Sultanahmet Meydani, lying close to the
southeastern tip of the peninsula, is surrounded by a bevy of historical
monuments lovingly put there by nations and cultures that were as different from
one another as it was possible be.
The area that is today Sultanahmet Meydani and
its vicinity is the site of Istanbul's first urban settlement. This is where,
according to legend, Byzas of Megara established a colony in 657. The hill now
occupied by the Topkapi palace then served as the city's acropolis.
Throughout its long history, Istanbul's has never
been an ordinary city. When it became
the capital of the Eastern Roman (Byzantine) empire and renamed Constantinople,
a marble shaft called the Milion was erected to mark the spot as the
center of
the world -the world's "ground zero" as it were, the point from which
all roads radiated and all distances were measured. Although the world's center
has long since shifted, the remains of the Milion still stand on a corner
opposite the Ayasofya museum on Divanyolu -a thoroughfare that follows the same
route as the Romans' Mese street.
During Byzantine times, the Sultanahmet district
was where all the city's most
important structures were built: the imperial palaces were located here; so was
the Hippodrome, the center of Byzantine social life, and of course Haghia
Sophia, the empire's greatest church.
Even after the Turkish conquest of Istanbul by
Mehmed II in 1453, this district continued to be the heart of the city and of an
empire and the Ottomans added to its treasures by constructing their palaces,
mosques, and baths here. The Hippodrome remained and though its name was changed
to Atmeydani (a literal Turkish translation of the Greek "hippodromos")
its traditional Roman and Byzantine functions were not, for it continued to be a
venue for sports and entertainment.
After this brief introduction, let's take a quick
walk around this celebrated plaza starting with the most magnificent work from
the Byzantine period.
Istanbul
embraces two continents with one arm reaching out to Asia and the other Europe.
Through the
city’s heart, the Bosphorus, course the waters of the Black Sea, the Sea of
Marmara and the Golden Horn.
The former capital of three successive empires, Roman, Byzantine and
Ottoman, Istanbul today honors preserves the legacy of its past while looking
forward to a modern future.
It is Istanbul’s endless variety that fascinates its visitors. The
museums, churches, palaces, grand mosques, bazaars and sights of natural beauty
seem innumerable. Reclining on the western shore of the Bosphorus at sunset
contemplating the red evening light reflected in the windows of the opposite
shore you may suddenly and profoundly understand why so many centuries ago
settlers chose to build on this remarkable site. At such times you can see why
Istanbul is truly one of the most glorious cities in the word.
PALACES
On a finger of land at the confluence of the Bosphorus, the Golden Horn
and the Sea of Marmara stands the
Topkapi Palace, that maze of buildings
that was the focal point of the Ottoman Empire between the 15th and
19th centuries. In these opulent surroundings the sultans and their
court lived and governed. A magnificent wooded garden fills the outer, or first,
court. In the second court, on the right, shaded by cypress and plane trees,
stand the palace kitchens, which now serve as galleries exhibiting the imperial
collections of crystal, silver, and Chinese porcelain. To the left is the Harem,
the secluded quarters of the wives, concubines, and children of the sultan,
charming visitors with echoes of centuries of intrigue. Today the third court
holds the Hall of Audience, the Library of Ahmet III, an exhibition of imperial
costumes worn by the sultans and their families, the famous jewels of the
treasury and a priceless collection of miniatures from medieval manuscripts. In
the center of this innermost sanctuary, the Pavilion of the Holy Mantle
enshrines the relics of the Prophet Muhammed brought to Istanbul when the
Ottomans assumed the caliphate of Islam. (Open every day except Tuesday).
The façade of the Dolmabahce Palace, built in the mid-19th
century by Sultan Abdulmecit I, stretches for 600 meters along the European
shore of the Bosphorus.The vast reception salon, with its 56 columns and
four-and-a-half ton crystal chandelier with 750 lights, never fails to astonish
visitors. At one time, birds from all over the world were kept in the Bird
Pavilion for the delight of the palace’s privileged residents. Ataturk,
founder of the Turkish Republic, died in the palace on November 10,1938. (Open
every day except Monday and Thursday).
In the 19th century, Sultan Abdulaziz built the Beylerbeyi
Palace, a fantasy in white marble set amid magnolia-filled gardens, on the
Asian shore of the Bosphorus. Used as the Sultan’s summer residence, it was
offered to the most distinguished foreign dignitaries for their visits. Empress
Eugenie of France was among its residents. (Open every day except Monday and
Thursday).
In addition to the State Pavilions at the Yildiz Palace
complex, the compound includes a series of pavilions and a mosque. Abdulhamit II
completed it at the end of the 19th century.
The Sale, the largest and most exquisite of the buildings, reveals
the luxury in which the sultans lived and entertained. Set in a huge park of
flowers, shrubs and trees gathered from every part of the world, the palace
grounds offer one of the most beautiful panoramic views of the Bosphorus.
Because of restoration work, only the Sale and park are open to the public.
(Open every day except Tuesday)
The Goksu Palace, also known as Kucuksu, takes its name
from the streams, which empty into the Bosphorus near the tiny palace. Built by
Abdulmecit I in the middle of the 19th century, it was used as a
summer residence. (Open every day except Monday and Thursday).
Originally built in the 18th century and later restored by
various sultans, the Aynali Kavak Summer Pavilion assumed its name,
Mirrored Poplar, when its famed mirrors, a gift from the Venetians, were
installed in 1718. This palace on the Golden Horn is one of the most beautiful
examples of traditional Turkish architecture. (Open every day except Monday and
Thursday).
The 19th-century Ihlamur Pavilion is named for the
linden trees that grow in its gardens. Now in the heart of metropolitan
Istanbul, when it was originally constructed, the pavilion lay in the rolling
countryside that surrounded the city. The Merasim Pavilion was used for
official ceremonies while the Maiyet Pavilion sheltered the sultan’s
entourage and, on occasions, his harem on the their excursions out of the palace
confines. (Open every day except Monday and Thursday).
The Maslak Pavilions on a shady green hill were conceived by
Sultan Abdulaziz as hunting lodges. These are particularly noteworthy as superb
examples of the late 19th century Ottoman decorative style. The Malta
Pavilion is presently used as an inexpensive restaurant while both the Maslak
Pavilion and Limonlu Gate are open as cafes. (Open every day).
The Florya Ataturk Sea Pavilion served as a summer
residence for Turkish presidents, beginning with Ataturk. Built in1935 in a
T-shaped design on land jutting out over the Sea of Marmara, this building
serves as a showcase for some of the loveliest examples of early 20th
century furnishings. (Open weekdays except Monday and Thursday)
MOSQUES
Across
from Hagia Sophia stands the supremely elegant Imperial Sultanahmet Mosque
with six minarets. Built between 1609 and 1616 by the architect Mehmet, the
building is more familiarly known as the Blue Mosque because of its
magnificent interior paneling of blue and white Iznik tiles. During the summer
months and evening light and sound show both entertain and inform visitors.
The cascading domes and four slender minarets of the Imperial
Suleymaniye Mosque dominate the skyline on the Golden Horn’s west bank.
Considered the most beautiful of all imperial mosques in Istanbul, it was built
between 1550 and 1557 by Sinan, the renowned architect of the Ottoman Empire’s
golden age. Erected on the crest of a hill, the building is conspicuous for its
great rise from each corner of the courtyard. Inside are the mihrab (prayer
niche showing the direction to Mecca) and the mimber (pulpit) made of finely
carved white marble and exquisite stained-glass windows coloring the incoming
streams of light. It was in the gardens of this complex that Suleyman and his
wife, Hurrem Sultan (Roxelane), had their mausolea built, and near here also
Sinan built his own tomb. The mosque complex also includes four medrese, or
theological schools, a school of medicine, a caravanserai, a Turkish bath, and a
kitchen and hospice for the poor.
The Rustem Pasa Mosque, another skillful
accomplishment of the architect Sinan, was built in 1561 by order of Rustem Pasa,
Grand Vizier and son-in-low of Suleyman the Magnificent. Exquisite Iznik tiles
panel the small and superbly proportioned interior.
The Imperial Fatih Mosque, constructed between 1463 and 1470,
bears the name of the Ottoman conqueror of Istanbul, Fatih Sultan Mehmet, and is
the site of his mausoleum. Standing atop another of Istanbul’s hills, its vast
size and great complex of religious buildings-medreses, hospices, baths, a
hospital, a caravanserai and a library make it well worth a visit.
The great Mosque of Eyup lies outside the city walls, near the
Golden Horn, at the traditional site where Eyup, the standard bearer of the
Prophet Mohammed, died in the Islamic assault on Constantinople in A.D. 670. The
first mosque built after the Ottoman conquest of the city, this greatly
venerated shrine attracts many pilgrims.
Built between 1597 and 1663, the Yeni (New) Mosque looms over the
harbor at Eminonu, greeting the incoming ferryboats and welcoming tourists to
the old city. Today its graceful domes and arches shelter hundreds of pigeons
that make this area their home. Marvelous Iznik tiles decorate what was once the
sultan’s balcony.
The 16th-century Sokullu Mehmet Pasa Mosque built on an
awkwardly shaped plot on a steeply sloping hill neat Sultanahmet, is one of the
most beautiful examples of classical Turkish architecture and another
masterpiece of the architect Sinan. Inside breathtaking blues, purples and reds
color the elegant designs of the Iznik tiles.
Walls of glass fill the four immense arches that support
the central dome at the Mihrimah Sultan Mosque inside the Edirne gate of
the old city walls. One hundred and sixty-one windows illuminate this mosque,
built in 1555 by Sinan for Mihrimah Sultana, the daughter of Suleyman the
Magnificent.
MUSEUMS
The Basilica of Hagia Sophia (Holy Wisdom), now called the
Ayasofya
Museum
is unquestionably one of the finest buildings of all time. Built by Constantine
the Great and reconstructed by Justinian in the 6th century, its
immense dome rises 55 meters above the ground and its diameter spans 31 meters.
Linger here to admire the building’s majestic serenity as well as the fine
Byzantine mosaics. (Open every day except Monday)
The Archeological Museums are found just inside the first court of
the Topkapi Palace. Included among its treasures of antiquity are the celebrated
Alexander Sarcophagus and the façade of the Temple to Athena from Assos. The Museum
of the Ancient Orient Displays artifacts from the Sumerian, Babylonian,
Assyrian, Hatti and Hittite civilizations. (Open every day except Monday).
Rumeli Hisari, or European Fortress, was built by Mehmet the
Conqueror in 1452 prior to his capture of Istanbul. Completed in only four
months, it is one of the most beautiful works of military architecture in the
world. In the castle is the Open-Air Museum amphitheater that is the site
for some events of the Istanbul Music Festival. (Open every day except
Wednesday).
Originally built in the 15th century as a kosk, or pavilion,
by Mehmet the Conqueror, the Cinili Kosk, which houses the Museum of
Turkish Ceramics, contains beautiful 16th-century specimens from
Iznik and fine examples of Seljuk and Ottoman pottery and tiles. (Open every day
except Monday).
Like the Ayasofya Musesum, the St. Irene Museum was originally a
church. It ranks, in fact, as the first church built in Istanbul. Constantine
commissioned it in the fourth century and Justinian later had the church
restored. The building reputedly stands on the site of a pre-Christian temple.
(Open every day except Monday, but requires special permission for admission).
The dark stone building that houses the Museum of Turkish and Islamic
Art was built in 1524 by the Grand Vizier to Suleyman the Magnificent,
Ibrahim Pasa, as his residence. It was the grandest private residence ever built
in the Ottoman Empire. Today it holds a superb collection of ceramics,
metalwork, miniatures, calligraphy, textiles, and woodwork as well as some of
the oldest carpets in the world. (Open every day except Monday).
Across the street from the Ibrahim Pasa residence is the Museum of
Turkish Carpets, which contains exquisite antique carpets and kilims
gathered from all over Turkey. (Open every day except Sunday and Monday).
Near Hagia Sophia is the sixth-century Byzantine cistern known as the Yerebatan
Sarnici. Three hundred and thirty-six massive Corinthian columns support the
immense chambers fine brick vaulting. (Open every day except Tuesday).
The Mosaic Museum, preserves in situ exceptionally fine fifth and sixth-century mosaic pavements from the Grand Palace
of the Byzantine emperors. (Open every day except Tuesday).
The Kariye Museum, the 11th-century church of “St.
Savior” in the Chora complex, is after Hagia Sophia, the most important
Byzantine monument in Istanbul. Unremarkable in its architecture, inside the
walls are decorated with superb 14th-century mosaics. Illustrating
scenes from the life of Christ and the Virgin Mary, these brilliantly colored
paintings embody the vigor of Byzantine art. In restored wooden houses in the
area surrounding the church you can enjoy tea and coffee in a relaxed atmosphere
far removed from the city’s hectic pace. (Open every day except Wednesday).
The Aviation Museum in Yesilkoy traces the development of flight
in Turkey. (Open every day except Monday).
In the Military Museum the great field tents used by the Ottoman
armies on campaigns are on display. Other exhibits include Ottoman weapons and
the accoutrements of war. The Mehter Takimi (Ottoman military band) can be heard
performing Ottoman martial music between 3:00 and 4:00 p.m. (Open every day
except Monday and Tuesday).
Ataturk’s former residence in Sisli now serves as the Ataturk Museum
and displays his personal effects. (Open every day except Saturday and Sunday).
The grand imperial caiques used by the sultans to cross the
Bosphorus are among the many other interesting exhibits of Ottoman naval history
that can be seen at the Naval Museum located in the Besiktas district.
(Open every day except Monday and Thursday).
Also in Besiktas is the Museum of Fine Arts that
houses Turkish paintings and sculptures from the end of the 19th
century to the present. (Open every day except Monday and Tuesday).
The City Museum, located within the gardens of the Yildiz Palace,
preserves and documents the history of Istanbul since the Ottoman conquest.
(Open every day except Thursday). Also within the gardens are the Yildiz
Palace Theatre and the Museum of Historical Stage Costumes, with its
exquisite costumes. (Open every day except Tuesday).
The Rahmi Koc Industry Museum, in the suburb of Haskoy on the
coast of the Golden Horn, was an Ottoman-period building, formerly called
Lengerhane, for iron and steel works. Today it houses exhibits on industrial
development. (Open every day except Monday).
Up the Bosphorus in the picturesque suburb of Buyukdere, the collections
of the Sadberk Hanim Museum fill two charming 19th-century
wooden villas. A private museum, which originally displayed only Turkish
decorative arts, it has recently been expanded for a new collection of
archeological finds. (Open every day except Wednesday).
For something different try the Caricature Cartoon Museum in Fatih
on Ataturk Boulevard under the Bozdogan Aqueduct in the 16th century
Gazanfer Aga Medrese. (Open daily 9:00 a.m. to 6:00 p.m.)
HISTORICAL SITES AND MONUMENTS
The ancient Hippodrome, the scene of chariot races and the
center of Byzantine civic life, stood in the area that is now in front of the
Blue Mosque. The area is now named for the mosque, Sultanahmet. Of the
monuments which once decorated it only three remain: the Obelisk of
Theodosius, the bronze Serpentine Column and the Column of
Constantine. Remains from the curved end of the Hippodrome wall can be seen
on the southwest side of these three monuments. Today the square forms the
center of Istanbul’s historical, cultural and touristic pursuits. Take
particular note of the surrounding wooden houses, especially the 18th
century homes on Sogukcesme Street. Delightfully restored, they have a
new lease on life as small hotels; one houses a fascinating library of books on
Istanbul.
The Ahmet III Fountain, built in 1729, stands at the entrance to
Topkapi Palace. A generous roof shades the waterspouts where the thirsty can
stop for a cup of refreshing water. This highly ornate, freestanding fountain is
a superb example of the late Ottoman style.
Mahmut II built the Beyazit Tower (85 meters high) in 1828 as a
fire tower. Today it is included in the grounds of Istanbul University.
The Bozdogan-Valens Aqueduct, built in A.D. 368, supplied the
Byzantine and later the Ottoman palaces with water. Today part of the remaining
900 meters of double-tiered arches straddle the major highway that runs through
the old part of town.
The Istanbul city walls, once an impenetrable fortification,
stretch seven kilometers from the Sea of Marmara to the Golden Horn. Recently
restored, as also many times before, these walls date from the fifth century and
the reign of Emperor Theodosius II. UNESCO has declared the walls and the area,
which they enclose to be one of the cultural heritages of the world.
The Galata Tower, a Genoese construction of 1348, rises 62 meters
above the Golden Horn. From the top there is a marvelous panorama of the Golden
Horn and the Bosphorus. In the evening you can enjoy its popular restaurant,
nightclub and bar.
Rumeli Hisari, or European Fortress, was built by Mehmet the
Conqueror in 1452 prior to his capture of Istanbul. Completed in only four
months, it is one of the most beautiful works of military architecture in the
world. In the castle is the Open-Air Museum amphitheater that is the site
for some events of the Istanbul Music Festival. (Open every day except
Wednesdays).
Kiz Kulesi,
also known as Leander’s Tower, is one
of the most romantic symbols of Istanbul. On a tiny island at the entrance to
Istanbul’s harbor, the first tower was constructed in the 12th
century. The present building dates from the 18th century.
ISTANBUL
BOGAZI (THE BOSPHORUS)
A stay in Istanbul is not complete without a traditional
unforgettable boat excursion up the Bosphorus, that winding strait that
separates Europe and Asia. Its shores offer a delightful mixture of past and
present, grand splendor and simple beauty. Modern hotels stand next to yali
(shorefront wooden villas), marble palaces abut rustic stone fortresses, and
elegant compounds neighbor small fishing villages. The best way to see the
Bosphorus is to board one of the passenger boats that regularly zigzag along the
shores. You embark at Eminonu and stop alternately on the Asian and
European sides of the strait. The round-trip excursion, very reasonably priced,
takes about six hours. If you wish a private voyage, there are agencies that
specialize in organizing day or night mini cruises.
During the journey you pass the magnificent Dolmabahce Palace;
farther along rise the green parks and imperial pavilions of the Yildiz
Palace. On the coastal edge of the parks stands the Ciragan Palace, refurbished
in 1874 by Sultan Abdulaziz, and now restored as a grand hotel. For 300 meters
along the Bosphorus shore its ornate marble facades reflect the swiftly moving
water. At Ortakoy, the next stop, artists gather every Sunday to exhibit
their works in a street side gallery. The variety of people creates a lively
scene. Sample a tasty morsel from one of the street vendors. In Ortakoy, there
is a church, a mosque and a synagogue that have existed side by side for
hundreds of years – a tribute to Turkish tolerance at the grass roots level.
Overshadowing Istanbul’s traditional architecture is one of the world’s
largest suspension bridges, the Bosphorus Bridge, linking Europe and
Asia.
The beautiful Beylerbeyi Palace lies just past the bridge on the
Asian side. Behind the palace rises Camlica Hill, the highest point in
Istanbul. You can also drive here to admire a magnificent panorama of Istanbul
as well as the beautiful landscaped gardens. On the opposite shore, the wooden
Ottoman villas of Arnavutkoy create a contrast with the luxurious modern
apartments of neighboring Bebek. A few kilometers farther along stand the
fortresses of Rumeli Hisari and Anadolu Hisari facing each other across
the straits like sentries guarding the city. The Goksu Palace, sometimes
known as Kucuksu Palace graces the Asian shore next to the Anadolu Hisari.
The second link between the two continents, the Fatih Sultan Mehmet Bridge straddles
the waterway just past these two fortresses.
From Duatepe Hill, on the European side, you can admire the
magnificent panorama of the bridge and the Bosphorus. Below Duatepe, the
beautiful Emirgan Park bursts with color when its tulips bloom in the
spring. On the Asian shore is Kanlica, a fishing village that is now a
favored suburb for wealthy Istanbulites. Crowds gather in the restaurants and
cafes along its shores to sample its famous yogurt. Shortly after Kanlica and
Cubuklu is the Beykoz Korusu (Ibrahim Pasa Woods), a popular retreat. In
the cafes and restaurants there you can enjoy the delightful scenery and clear,
fresh air. Back on the European side, at Tarabya Bay, yachts seem to
dance at their moorings. The coastal road bustles with taverns and fish
restaurants from Tarabya to the charming suburbs of Sariyer and Buyukdere.
Sariyer has one of the largest fish markets in Istanbul and is also famous
for its delicious varieties of milk puddings and borek (pastries). On past
Sariyer, the narrow strait widens and opens into the Black Sea.
HALIC
(THE GOLDEN HORN)
This horn-shaped estuary divides European Istanbul. One of
the best natural harbors in the world, the Byzantine and Ottoman navies and
commercial shipping interests were centered here. Today, lovely parks and
promenades line the shores where the setting sun casts a golden hue on the
water. At Fener and Balat, neighborhoods midway up the Golden
Horn, whole streets full of old wooden houses, churches and synagogues date from
Byzantine and Ottoman times. The Orthodox Patriarchy resides here at Fener. Eyup,
a little further up, reflects Ottoman architecture. Cemeteries dotted with dark
cypress trees cover the hillsides. Many pilgrims come to the Tomb of Eyup
in the hope that their prayers will be granted. The Pierre Loti Café, atop
the hill overlooking the shrine is a wonderful place to enjoy the tranquility of
the view.
ART, CULTURE, AND ENTERTAINMENT
Istanbul is an international art and cultural center. The
International Arts and Cultural Festival is held each year in June and July
with famous artists coming from all over the world. These performances are held
mostly at the Ataturk Cultural Center. The Istanbul Science Center (Bilim
Merkezi), founded by the Science Center Foundation and located on the campus
of Istanbul Technical University, has hands-on experimental and theoretical
opportunities for adults and children of various educational levels. In March
and April you can take in the International Film Festival. Those who
enjoy classical music can hear it at the Cemal
Resit Rey Hall.
Operas, operettas,
ballets, films, concerts, exhibitions and conferences all contribute to the
cultural palette of the city.
Istanbul also has a rich program of light entertainment. Nightclubs
provide splendid entertainment throughout dinner, ranging from a selection of
Turkish songs to belly dancing. Alongside these are modern discos, cabarets, and
jazz clubs in the Taksim-Harbiye district.
In Sultanahmet,
there are a number of restaurants in restored Byzantine and Ottoman buildings,
which offer a unique setting for an evening out.
Kumkapi, with
its many taverns, bars and fish restaurants, is another attractive district.
People have been meeting for years at Cicek
Pasaji in the district of Beyoglu
for snacks and seafood specialties. Also in the area near Cicek Pasaji is
the narrow Nevizade
Street,
which is the best place in Istanbul for eating Turkish specialties and drinking
raki.
On the Bosphorus, Ortakoy is the best place for nightlife in Istanbul, with its nightclubs, jazz
clubs, fine seafood restaurants and bars.
At Eminonu don’t miss an opportunity to see fishermen dressed in traditional
Ottoman clothes and their Ottoman-style boats, which you may board to sample
their delicious fried fish.
You may also want
to visit Tatilya Cumhuriyeti, a
large amusement park in Beylikduzu
past Haramidere
on the road to the Ataturk International Airport.
SHOPPING
One could visit Istanbul for the shopping alone. The Kapali Carsi, or
Covered Bazaar, in the old city is the logical place to start. This
labyrinth of streets and passages houses more than 4,000 shops. The names recall
the days when each trade had its own quarter: the goldsmiths’ street, the
carpet sellers’ street, and the street of the skullcap makers. Still the
commercial center of the old city, the bazaar is the original shopping pocket.
Charming souvenirs and gifts can be selected from among Turkish crafts,
the world-renowned carpets, brilliant hand painted ceramics, copperware,
brassware, and meerschaum pipes. The gold jewelry in brilliantly lit cases
dazzles passersby. Leather and suede goods of excellent quality make a
relatively inexpensive purchase. In the heart of the bazaar, the Old Bedesten
offers a curious assortment of antiques. It is worth poking through the clutter
of decades in the hope if finding a treasure.
The Misir Carsisi or Spice Bazaar, next to the Yeni Mosque
at Eminonu, transports you to fantasies from the mystical East. The enticing
aromas of cinnamon, caraway, saffron, mint, thyme and every other conceivable
herb and spice fill the air. Sultanahmet has become another shopping mecca in
the old city. The Istanbul Sanatlari Carsisi (Bazaar of Istanbul Arts) in
the 18th century Mehmet Efendi Medresesi, and the nearby 16th-century
Cafer Aga Medrese, built by Sinan, offer you the chance to see craftsman
at work and to purchase their wares. In the Arasta (old bazaar) of the
Sultanahmet Mosque, a thriving shopping arcade makes both shopping and
sightseeing very convenient.
The sophisticated shops of the Taksim-Nisantasi_Sisli
districts contrast with the chaos of the bazaars. On Istiklal Avenue,
Cumhuriyet Avanue, and Rumeli Avenue, you can browse peacefully in the most
fashionable shops selling elegant fashions made from Turkey’s high quality
textiles. Exquisite jewelry as well as finely designed handbags and shoes can
also be found. The Atakoy Galleria Mall in Atakoy and the Akmerkez
Mall in Etiler have branches of Istanbul’s most elegant shops. In Bakirkoy,
the Carousel Mall is worth a visit, as is the Atlas Passage in
Beyoglu. Bahariye Avenue, Bagdat Avenue, and Capitol Mall on
the Asian side, offers the same shopping opportunities.
In Istanbul’s busy flea markets
you can find an astonishing assortment of goods, both old and new. Every day
offers a new opportunity to poke about the Sahaflar Carsisi and Cinaralti
in the Beyazit district. On Sundays, in a flea market between the
Sahaflar and Covered Bazaar, vendors uncover their wares on carts and blankets.
The Horhor carsisi is a collection of shops that sell furniture of varying age
and quality. Flea markets are open daily in the Topkapi district, on Cukurcuma
Sokak in Changir, on Buyuk Hamam Sokak in Uskudar, in the Kadikoy
Carsi Duragi area, and between Eminonu and Tahtakale. After a Sunday drive
up the Bosphorus, stop between Buyukdere and Sariyer to wander through
another lovely market.
THE ENVIRONS OF ISTANBUL
The Princes’ Islands, an
archipelago of nine islands in the Sea of Marmara, were places of exile for
Byzantine princes. Today, during the summer months, wealthy Istanbulites escape
to the cool sea breezes and elegant 19th century houses. Buyukada
is the largest of the islands. Here you can enjoy a ride in a horse-drawn
phaeton (carriage) among the pine trees or relax on a beach in one of the
numerous coves that ring the island. The other popular islands are Kinali,
Sedef, Burgaz, and Heybeliada. Regular freey boats connect the islands with
both the European and Asian shores. A faster sea bus service operates from Kabatas
in the summer.
On the European side of the Black
Sea coast, 25 km from the outskirts of Istanbul, the long, broad sandy beaches
of Kilyos draw crowds of Istanbul residents in the summer. The Belgrad
Forest, inland from the Black Sea on the European side, is the largest
forest around Istanbul. On weekends, Istanbulites drive out to its spacious
shade for family picnics and barbecues. Seven ancient reservoirs and a number of
natural springs refresh the air. The Ottoman aqueducts, of which the 16th-century
Moglova Aqueduct built by Sinan is the most splendid, lend majesty to the
natural surroundings. Overshadowing the entrance to Kemer Golf and Country Club
is the 750-meter long Sultan Suleyman Aqueduct, also built by Sinan. It is one
of the longest in Turkey. The 500-stable Equestrian Center offers trail riding.
On the Asian side, Polonezkoy,
25 km from Istanbul, was founded in the 19th century by Polish
immigrants. Istanbul residents come to its pastoral landscape for walks,
horseback riding and to enjoy the traditional Polish food served by descendants
of the original settlers.
On the Black Sea, 70 km from
Uskudar, Sile’s sandy beaches, fish restaurants and hotels make it one
of the most delightful holiday places near Istanbul. Cool cotton clothing called
Sile bezi is popular with tourists and is fashioned here.
The Bayramoglu-Darica Bird’s
Paradise and Botanic Park, 38 km from Istanbul, is a unique place to relax.
Many species of birds and plants from all over the world can be seen in this
park, which also has restaurants and a promenade for pedestrians.
The charming fishing town of Eskihisar,
southeast of Istanbul, boasts a marina where yachtsmen can moor their boats
after a day out on the Sea of Marmara. In town, the house of Osman Hamdi Bey,
Turkey’s great 19th-century paonter, has been converted into a
museum. Neighboring sites include the tomb of Hannibal between Eskihisar and Gebze,
and a Byzantine castle.
Many Istanbulites have summer
homes near Silivri, popular vacation area about 65 km from Istanbul. A
large holiday resort, it offers sports, health, and fitness facilities, that
include the Klassis Country and Golf Club, and excellent dining. The conference
center attracts business people who want to escape the city’s fast pace for a
working holiday. A regular sea bus service connects Istanbul to Silivri.
YACHTING
Yachting is very popular in
Istanbul. This is the only place in the world where you can enjoy the beauty of
a mystical landscape while sailing back through history to Roman, Byzantine and
Ottoman times, and view magnificent castles, palaces and mosques.
From the North Sea through
the European interior, yachters can sail down the European channel system and
the Rhine and Danube Rivers into the Black Sea harbors and to the Istanbul
Bogazi and Istanbul Marinas-a safe and short way to come.
Sail on the Istanbul Bogazi under
the enormous bridges spanning two continents and around the Princes’ Islands
to their beautiful bays, where you may anchor and enjoy the serenity of the
area. After enjoying all of the sights return to one of the two large marinas. Atakoy
Marina with a blue flag rating is on the European side and Kalamis Marina
is on the Asian side. Both offer 24-hour service. International Offshore Yacht
races are held in Istanbul every summer. Moving on from Istanbul through the Sea
of Marmara you come to Canakkale and the famous Dardanelles, site
of an historic World War I campaign that sealed Mustafa Kemal as a man of
destiny. Continue on into the Aegean Sea for fine cruising and end up
along the golden sands of the Maditerranean.
GOLF
Istanbul offers lovely opportunities for golf enthusiasts:
The Klassis Golf and Country Club, 65 km from
Istanbul in Silivri, is one of the area’s largest golf clubs, with an 18-hole
course and a 9-hole course.
The Kemer Golf and Country Club, 18 km from Istanbul
in the Belgrad Forest near the town of Kemerburgaz, offers a formidable test of
golf skill on its 9-hole course.
The Istanbul Golf Club in the Ayazaga district of
Istanbul also has a 9-hole course.
MORE INFORMATION
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The Names Of
Istanbul :
Istanbul was formerly known
as Byzantion (Byzantium in Latin), and this is the origin of
the term we use today. It is not known with any certainty
where the name 'Byzantion' came from, and it is quite clear
that the legends that arose at later periods did not reflect
the truth.
It has been noted that 'Byzant',
which is the root of the word 'Byzantion' greatly resembles
many of the place names existing in Entail during the third
century. Although it can be accepted that the 'ion' suffix is
associated with the Phrygians, who arrived with the Aegean
migrations, the 'nt' on the end of the root 'Byzant' can also
be found in the ancient local languages of Entail. Throughout
the Early Ages the name 'Byzantion', which forms the core of
the former name of Istanbul, was used. After the city had been
re-founded in 330 AD by Constantine I (and this was towards
the end of the Roman, Empire), it was referred to as 'Deutera
Rome', or the second Rome', and also as 'Nea Rome', which
means 'New Rome'. Then the name of its founder was taken as
the basis, and the name 'Konstantinoupolis' adopted, which was
the source of all the western names for the city. The Germans
refer to Istanbul as 'Konstantinopel', the French and the
British as 'Constantinople' and the Italians as 'Constantinopoli'.
Although the official name of the city has, ever since the
establishment of the Republic, been 'Istanbul' and great
sensitivity shown on this subject, Europe resists the adoption
of the name 'Istanbul'. It is not known with any certainty
where the name 'Istanbul' came from. According to an opinion
that has existed for many years, the Byzantines did not refer
to the city by its actual name, but, because of it size,
simply as 'Polis' (the City), and when they wanted to say 'to
the City', they said 'eist enpolin' (is-tin-polin), which was
the origin of the name 'Istanbul'. Recent research has shown
that the name 'Istanbul' was used if not during the Byzantine
period, at least during the 11th century and that the Turks
knew the city by this name. Istanbul has had other names at
various times but none of them was used widely or for any
great length of time. During the Turkish period the names 'Dersaadet'
and 'Deraliye' were used (and these were adjectival more than
anything else), and if official correspondence and on coins
the Turkish transcription of 'Konstantinoupolis', 'Konstantiniye'
was used, Although the use of the name 'Konstantiniye' was
prohibited at one time during the Ottoman period by Sultan
Mustafa III, its use continued, to be abandoned during the
republican period. |
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Legends About
Foundation Of the City :
Although it is a legend about
the foundation of the city that has come down to us over the
ages in various forms, it does not cast any real light on the
fact surrounding the initial foundation of the city. According
to a local legend which is comparatively much older than the
others, the Thracian king Byzas, who was the son of the nymph
Semestra, had married Phidaleia, daughter of Barbyzos, king of
a region near to Istanbul; it was this woman who is said to
have founded Byzantion, or Istanbul
According to another legend
to, lover of Zeus, the chief of all the ancient Greek gods,
turned herself into a cow to escape the wrath of Hera, Zeus's
vengeful wife. During her flight she gave birth to a daughter,
Keroessa, on the banks of the Golden Horn. Keroessa was
brought up by the nymph Semestra and in due course she gave
birth to the son of the sea god Poseidon, whom she named Byzas.
Byzas was brought up by the naiad Byzia, and he went on to
found the city of Istanbul, It is possible to fit this legend
in with the geography of Istanbul. On the other hand, the
names Byzas and Keroessa are to be encountered in different
forms in very old place names in Anatolia. This perhaps
demonstrates that the legend originates in events that took
place in the depths of Anatolia's history. According to
legends originating in more recent times, (and one of these,
born in the Ist century AD, is extremely well-known) Byzas had
set out with the chief of a band of migrants from Megara in
Greece. The oracle in the Temple of Apollo at Delphi had
advised them to set up their new homeland in a place "facing
the blind". These migrants were said to have set up their
first city on what is now Sarayburnu; this promontory lies
opposite Kadikoy, formerly known as Khalkedon, which had been
founded 17 (according to other sources 19 or 29) years
earlier, and its founders had been accused of being blind
because they had ignored the beauty of Istanbul. This last
legend must be connected with the Greek migrations that took
place between 750 and 550 BC and is certainly not related to
the city's initial foundation. The only possibility is that
during these migrations anew Greek city was founded in what is
now Istanbul circa 660 BC, from which the present city
developed. |
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The First
Foundation Of The City :
The oldest signs of
habitation in the Istanbul area have been found on the banks
of the Kurbagali-dere Greek in Kadikoy, in the Fikirtepe
locality; it is considered that these finds date from the end
of the 4th century or the beginning of the 3rd century BC.
Research carried out in recent times in a natural cave in a
rocky hillside overlooking the north side of the Buyukcekmece
lake 20 km west of Istanbul has proved that people lived here
in prehistoric times. An interesting point is that this cave
was regarded as a sacred place by the Byzantines after the
extends down into the depths of the earth over a distance of 1
km and the height of some of its corridors reaches 15m in some
places. At the bottom of an extremely thick layer of earth and
manure a large number of fossils, stone-age tools, flint
spear-heads and pieces of bone have been found. These all go
to prove that the area around Istanbul has been inhabited
since the dawn of history.
There is no reason at all why
there should not have been another centre of habitation on the
site of present-day Istanbul. However, the increase in the
depth of the soil layer previously mentioned has rendered a
search for these very early signs of habitation impossible. It
would, however, seem more within the bounds of possibility
that the very first city was bounded on Silivritepe, the high
promontory between the Alibey and Kagithane creeks at the
upper end of the Golden Horn. If we accept the idea that
prehistoric man preferred to settle at the head of running
water, as evidenced by the finds at Fikirtepe and Kucukcekmece
it would be entirely convincing to suppose the existence of a
settlement at the top end of the Golden Horn on Silivritepe, a
place which provided a safe refuge for small boats, a
plentiful supply of fish in all seasons, the banks of which
were fertile and suitable for agriculture and which in
addition was supplied with fresh water by these two creeks. In
all probability the best place to search for the first signs
of habitation in Istanbul would be at the upper end of the
Golden Horn. Apart from this there was also a centre of
habitation at the tip of the triangular piece of land enclosed
by the city walls now known as Sarayburnu. The Roman writer
Plinius, who lived in the 1st century AD, states that first of
all there was a village called Lygos in this triangle.
Fragments of pottery found during excavations carried out in
1937 in the second courtyard of the Topkapi Palace are
extremely inadequate evidence of Istanbul's habitation in the
7th century BC because the soil in which they were found had
been brought there from another place. |
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İstanbul Before
The Roman Era :
It is known that the Istanbul
of Hellenic times was contained within the boundaries of what
are now Sirkeci, the top of Alemdar Hill and Ahirkapi; in
other words all the buildings of the first city were within
the outer walls of the present Topkapi Palace. The city of
that time was surrounded by solid walls made of hewn blocks of
stone which had 27 towers and a gate on the inland side called
the Thracian Gate. The Acropolis containing the ancient
temples was on the hillside rising from Sarayburnu, and this
had a separate wall around it. There was also at least one
harbour in what is now Sirkeci. There is information available
about is official buildings, temples, squares and the
necropolis outside the city walls.
Until the end of the 2nd
century BS Istanbul was a wealthy city within these boundaries
protected by high walls. Revenues obtained from fishing, tolls
paid by ships passing though the Bosphorus, and the fertility
of the surrounding soil were the factors underlying its wealth
in that period. In 193 AD the Roman Empire entered a period of
crisis. One of the commanders who was trying to gain control
during the battle for the throne that ensued with the murder
of the emperor Pertinax was Pescennius Niger; he came to
Istanbul and closed the road to Asia of Septimius Severus, who
was engaged in battle. In 194 AD the severed head of Niger,
who had been defeated by Severus, was sent to Istanbul, a city
which had remained loyal to him but in spite of this the city
had dared single-handedly to defy Septimius Severus, an
emperor who ruled an empire stretching from Great Britain to
the Gulf of Basra. This siege, which began in the winter of
193-194 AD, lasted two years. Istanbul, perhaps hoping that
Severus's other rival Albinius would be victorious, stood up
to the terrible siege. It was said that its people were so
hungry that even human corpses were eaten. As a punishment,
when Istanbul finally surrendered in 196 AD, all its warriors
and administrators were slaughtered, its walls pulled down,
its right to call itself a city removed and, reduced to the
status of village, it was bound to Perinthos (now Marmara
Ereglisi). But Septimius Severius, who was sole ruler of the
state from 193 to 211 AD, thought it was not right to leave a
city with such perfect advantages as Istanbul in this
position, and, according to an old story, upon the request of
his son Aurelius Antoninus Caracalla, he rebuilt the city,
making it even larger, and even endowed it with his name. |
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İstanbul During
The Roman Era :
The city, which had been
rebuilt by Severus and named Anatonina after Antoninus
extended 300m further to the west than the old city. The city
walls built by Severus on the side facing inland extended from
what is now Sirkeci to the Turbe neighborhood of the
Cemberlitas district, and, curving eastwards, extended
downwards towards the Sea of Marmara. Severus had started the
construction of the Hippodrome (At Meydani) in 203 AD, but the
work was not completed. The inside of the city was adorned
with impressive civic buildings and public baths, temples and
the Necropolis (graveyard) extended as for as the area between
Cemberlitas and Beyazid. It is probable that in this period
main streets lined with columns were built on either side of
it. The most important of these was the main street of the
city, known as Mese, which followed almost exactly the same
route as the present Divanyolu (Yeniceriler) Avenue.
In deep excavations carried
out inside the city, the remains of the Roman graveyard was
seen at a depth of 8m. A large number of tombs and grave
steles have been found between Cemberlitas and Beyazid during
the last fifty years or so. The life of this city, founded
some time between the end of the 2nd and the beginning of the
3rd century AD, circa 200 AD, was not to be a very long one.
When the emperor Diocletianus abdicated in 305 AD the Roman
empire entered a new period of crisis and in the war that
ensued between Maximinus and Licinius, Maximinus captured
Istanbul in the winter of 312-313. However, Maximinus was
defeated in Thrace and the city fell into the hands of his
rival, Licinius was defeated in 323 AD; first of all he fled
to Istanbul, then to Kadikoy on the Asian side. There, his
army in disarray, he finally surrendered in Nikomedia (Izmit).
Constantine had for some time been of the opinion that a new
capital needed to be chosen for the Empire, and he considered
Troy, which is near to the present-day Canakkale, to be the
most appropriate choice. However, he had seen many of the
virtues of Istanbul during the course of the war against
Licinius, and Constantine I, who was the sole candidate for
ruler of the Roman state, came to the conclusion that
Byzantion (Istanbul) was, in military, economic and internal
political terms, the most suitable place.
(a)
Military reasons
Istanbul was a city that
could be easily defended against external threats coming from
the north or from the east against the state. It had been seen
in the battle against Licinius that the city was easy to
defend. Moreover, it was a borders of the empire, and from
where their raids could be stopped. The Sasani to the east
were a considerable danger to the empire and the emperor
Valerianus, who had been taken prisoner by the Sasani king,
had been humiliated to the extent of being used as a mounting
block by the latter.
(b)
Economic reasons
Due to the fact that Istanbul
lay on both the land and maritime trade routes, it served as a
bridge in trade relations. It was an important crossroads on
these routes and a great deal of revenue was obtained from
tolls and customs duties.
(c)
Political reasons
Istanbul was a suitable place
for the measures to be taken against disturbances within the
state and was a completely new, clean place far from the old
centers of corruption. Constantine's claim to be a believing
Christian was not altogether convincing but he took a number a
decisions that meant that Christians, who had previously been
subjected to terrible persecutions and tortures, would now be
regarded with tolerance and that the Christian religion would
henceforth be the official religion of the state. In Rome,
which was loyal to the old polytheist religion, such an
initiative would have been well nigh impossible.
Constantine began to rebuild
Istanbul in 325 AD. The foundations of the city walls, which
were to extend further to the west on the inland side, were
laid on 26 November, 328. At this time Christianity, which was
just beginning to spread, had been allowed to recruit new
followers to defend it from its rivals and had moreover been
made the official religion of the state; this led to the
creation of Christian legend about this action of Constantine,
who had in fact remained a pagan. An example of this is the
belief that an angel had appeared to him and shown him the
places through which the new city walls would pass on the
western side.
The city
founded by Constantine
When the major projects had
been completed in the completely rebuilt and enlarged city, an
impressive opening ceremony was held on 11 May, 330 AD. The
city had been granted all the privileges that belonged to Rome
and its governor bore the title of proconsul. From 359 onwards
this post was replaced by that of a person who was both
governor and head of the municipality responsible for the
administration of the city, and the was referred to as 'prafectus'
(Epakhos in Greek), or prefect. The names of these prefects of
old can still be read in the inscriptions on certain works
belonging to the Roman period. (For example on the Dikilitas
pedestal, on the Mevlevihane gate of the city and on an
obelisque known as Kiztasi, located in what was formerly the
slave market of Istanbul). The city was divided into fourteen
zones, twelve of which were within the city walls, the
thirteenth at Galata and the fourteenth in the Blakherna
district on the Egrikapi side. There is a list of all the
buildings in each of these zones and the he divisions of each
zone in an old document. Due to the fact that no trace is left
of Severus's walls, or of the new walls extending a further
2500m to the west, the route followed by these walls is not
known. Although it is alleged that the name of the Isakapisi
or Esekapisi district to the west of Cerrahpasa was taken from
a piece of Constantine's wall, which was intact until 1509,
and from one of its gates, there is no scientific basis for
this theory. It is assumed that these walls followed the
Golden Horn from Ayakapisi on Unkapani as far as Fatih
(according to some as far as Sultan Selim) and from this point
continue downwards towards the Bayrampasa Greek then, passing
through the Isakapisi district, follow a route to the east of
Samatya end extend as far as the Sea of Marmara. The Emperor
Constantine had a large forum, which was round or oval is
shape, built in the centre of the city; in the centre of this
forum was his own statue, placed on top of a column of reddish
stone. This column is today known as Cemberlitas. The statue
on the top of the column represented Constantine as Apollo
saluting the sun. When the city was rebuilt, the Great Palace
was constructed to the slopes of Sultanahmet overlooking the
Sea of Marmara; this building was constantly added to by
various emperors until the 11th century and became a veritable
"city within a city". The Senate and the Hippodrome were
completed and to its development. One of these was Philozenus,
who had the cistern known as Binbir Direk (one thousand
columns) and the palace above it built; another was Antioch,
who commissioned a private residence, the ruins of which can
be seen today between the street known as Divanyolu and the
present Central Law Courts building. The emperors who
succeeded Constantine continued to adorn the city with new
buildings and structures. The most important of these is the
water supply system built by Valens (364-378). The large
aqueduct belonging to this system is still standing and is
also known as the Bozdogan Aqueduct. In 395 AD the city's
biggest square, known as Theodosius or Taurus square, was
built in what is now Beyazid. There was a gate leading into
this square, which was 200m wide, and a number of monuments
around it. One of these was a gigantic monumental entrance
supported by four marble columns, the remains of which were
discovered in 1956. Apart from this there was also a monument
erected in the name of Theodosius I, the top of which could be
reached by means of an inside staircase and the side of which
were adorned with relief's depicting the battles fought by the
emperor and his successes; this monument survived until the
great earthquake of 1509. A few pieces of the relief's
adorning this monument can today be seen in the foundations of
the Turkish bath at Beyazid.
Not long after, in 403 AD,
another big forum and a impressive monument 70 metres in
height were built on Istanbul's seventh hill, now the
Cerrahpasa district of the city, in the name of the emperor
Arcadius. The console of this monument can still be seen.
Although the statues of Arcadius on its top toppled over and
were destroyed in a short space of time, the monument itself,
the exterior of which was covered with marble relief's,
survived well into the Turkish period, until 1715 to be exact.
However, in spite of all this
development it was considered necessary to expand the city
still further and at the beginning of the 5th century, in the
reign of Theodosius II, the city walls of today were built,
extending the boundaries of the city still further. In a
treatise entitled 'Notitia urbis Constantinopolitinai',
considered to have been written in the reign of Theodosius II,
the fourteen divisions of the city and the important buildings
in each of these divisions were stated; the names of private
palaces and the number of buildings are given as well. This
makes it possible to arrive at a rough estimate of the city's
population at that time.
The remains of one of these
private residences (together with its mosaic floor) belonging
to Princess Juliana Anicia, who is known to have lived at the
beginning of the 6th century were discovered during
excavations for the foundations of the municipal building
carried out during the 1950's; unfortunately no effort was
made to preserve them. |
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İstanbul During
The Byzantine Era :
Istanbul remained within the
boundaries of the city walls built by Theodosius II in the 5th
century throughout the whole of the Byzantine period and
indeed until towards the end of the Ottoman period. The only
exception was the Blakherna area to the north west of the
city; it was considered in the Byzantine period that its own
walls were insufficient and the city walls in its vicinity
were rebuilt in stages so as to accommodate it. Thus Istanbul,
with its large number of churches and monasteries surrounded
by high walls, was one of the main Christian centres of the
Mediaeval world. The most majestic of the churches was
Ayasofia which, after a number of reconstruction's, was
finally given its present form by the emperor Justinian
between 532 and 537. In the centre of the city was the Church
of the Twelve Apostles, where the graves of the first empire
were also to be found. After the Ottoman conquest the Fatih
Mosque was built on the site of this church. Information
collected by R. Janin provides us within the names of more
than 400 churches in Istanbul. However, it is highly
improbable that all of these churches survived until the end
of the Byzantine period. The names of some of them were
changed and others simply disappeared. Another factor to be
borne in mind is that some churches were divided into
sections, each of which was dedicated to a different saint,
and this resulted in a large number of churches.
The Great Palace of the
Emperors fell into a state of neglect after the 11th century.
The Manganoi Palace, which lay between Sarayburnu and Ahirkapi,
became their residence for a short space of time but from the
12th century onwards the Blakherna district in the north-west
of the city was the site of the royal residence and the scene
of much development. This group of palaces, which lay between
what is now Edirnekapi and Ayvansaray and was next to the city
walls on the inland side, was in use until the end of the
Byzantine period.
Istanbul's water was, in the
Roman period, brought to the city from its Thracian side by
means of a magnificent system of supply lines and aqueducts.
When this water became unusable due to the "barbarian" hordes
that threatened Byzantium and actual came to the very foot of
the city walls (this included the Avers, the Huns and the
Bulgars), a large number of cistern of different sizes in
which rain water could be collected had to be built. Apart
from being basements in which water could be collected, these
cisterns also resulted in terraces which gave a more level
look to the undulating aspect of the city and added height and
impressiveness to the buildings standing on top of them. In
archaeological excavations carried out up to a century ago
about 50 cisterns of different sizes were uncovered; however,
in the years that followed a great deal of building took place
and deep foundation pits were opened up, and in the course of
this work a further 50 or so cisterns were discovered. It is
worth noting that in the last years of the Byzantine empire
the basement walls of all buildings were coated with a
watertight mortar which meant that these basements could be
used for the storage of water.
From the information gathered
from various sources it is possible to pinpoint the existence
of various municipal laws in Istanbul in the Byzantine period.
According to these laws, there had to be definite intervals
between buildings and no-one was permitted to build a house of
a height that would prevent his neighbor from seeing the sea.
However, it is not known how long these laws were in force and
to what extent they were adhered to. The only surviving copy
of a handwritten book which is now in Geneva, Switzerland,
provides information about the tradesmen and craftsmen of
Istanbul and their organisations. Judging from the fact that
about twenty guilds are mentioned, it is evident that part of
this book, which was written in the reign of Leon VI (886-911)
and of which there is no other copy, is missing.
At no time during the
Byzantine period was the entire area within the city walls
built up completely, for it is known that there were open
spaces within the city. Odon de Deuil, a traveler who visited
the city in 1147, states that there were gardens, orchards and
fields within the city walls that were capable of supplying
its inhabitants within food. According to this traveler, the
inside of the city was "extremely dirty, disgusting, and full
of filth; there are even such places to which daylight does
not penetrate and under the cover of the darkness that reigns
murders and other foul deeds can easily be perpetrated." To
put it in a nutshell, Odon de Deuil considered that the city
was "disproportionate in all ways". At about the same time the
city was visited by Benjamin, a rabbi from the city of Tudela
in Spain. After mentioning the priceless treasures to be found
in the city and its palaces and the pomp and wealth of its
inhabitants, he then refers to the condition of the Jewish
community in the city, saying that its filth was used as a way
of insulting the Jews. In the year 1220 Anton, bishop of
Novgorod in Russia, who was going on a pilgrimage, visited
Istanbul. He paid individual visits to its churches and
monasteries and in his manuscript makes long and detailed
lists of the sacred objects and treasures in these places; at
the same time he provides valuable information about the town
planning concept of that period. At that time there were long
streets with columns on either side, known as 'embolos', which
were set aside for the use of certain persons, tradesmen's and
craftsmen's guilds. The European knights leading the Fourth
Crusade managed to capture Byzantium in 1204 by taking
advantage of the intrigues centering around the throne. They
plundered the city, considering this to be a more profitable
pastime than fighting the Muslims in Palestine and Syria. When
they entered the city Geoffroy de Villehardouin, a French
knight who was one one of the commanders of the army, stated
that "it was impossible to find a person who would not be
stirred by the sight," going on to dwell upon the beauty,
magnificence and wealth of the city. He then says that all of
these magnificent places were badly damaged by the fire that
raged for two days and two nights during the battle that took
place for the possession of the city. "It is impossible to
calculate the damage done, to count the cost of a fortune
turned to ashes," says the knight. Robert de Claire, one of
the poor knights who took part in the same crusade, states
that while the crusaders of the highest rank invaded the
palaces and mansions of the city's wealthy families those of
more humble rank such as himself contented themselves with
plundering the homes of its more modest inhabitants. "As the
city is very big and crowded there was something for
everybody, and even to spare," he concluded.
The Latin invasion, which
lasted from 1204 to 1261, was a disaster for Istanbul in the
full sense of the word. Graves were plundered, churches and
monasteries ransacked. The atrocities committed by the
European knights, who had set out with the aim of fighting the
Muslims and recapturing places that were sacred to Christians,
the damage they did to Ayasofia, a Christian place of worship
and the bestial acts to which the women and girls of the city
were subjected are all described in detail by the historians
of the period. Fifty years of Latin rule was sufficient to
reduce the city to ruins.
In any case, due to the fact
that during the seige of 1203-1204 more than half the city had
been destroyed by fire and most of its Byzantine population
had left, when it was finally recaptured by the Byzantine in
1261 it proved impossible to rebuild the city and restore it
to its former glory. The Byzantine emperor Mikhael VIII tried
to persuade the people to return to the city after 1261 but
all his efforts proved in vain. In place of the ruined streets
that had formerly been lined with columns he had tree-lined
roads built. The inner city area had been completely abandoned
and all that was left were monasteries surrounded by
vineyards, vegetable gardens and small woods. Thus the Arab
traveller Ebulfida, who visited the city at the beginning of
the 14th century, stated that he saw ploughed fields, gardens
and a number of ruined houses within the city. In 1403 Ruy
Gonzales de Clavijo, who had paid a brief visit to Istanbul on
his journey to Samarkand as an envoy to Timur, also stated
that he saw fields, gardens and small groups of houses in the
middle of the city. He added that the area around the Golden
Horn was lively but that most of the large buildings in the
city were in a state of ruin. The sad state of Istanbul during
the last years of Byzantine rule is in no way surprising for
the city's financial plight was such that the emperor loannes
V, who had gone to Europe to seek financial aid for Byzantium,
was detained by the Venetians in Italy in 1370 due to his
inability to pay his travelling expenses, in spite of the fact
that he had mortgaged some of the precious stones in his crown
and what is now Bozcaada (Bozca Island) to do so. He was only
able to return to his homeland because his son Manuel had
collected money from the inhabitants of Salonika to secure his
release. And although the annual income of the Galata customs,
which was in the hands of the Genoese, was 200,000 hyperpyra
in the 14th century, the Istanbul customs of the Byzantines
could only realise an income of 30,000 hyperpyra per year. The
Hagios Makios church inside the city was demolished in 1390 so
that its stones could be used to repair the city walls.
Information about the ruined state of the city may be obtained
from the chronicles of Cristoforo Buondelmonti who saw
Istanbul in about 1420. The harbours on the Marmara coast were
by then by then unusable, being totally silted up, and it was
only the banks of the Golden Horn that were a lively centre of
commerce. A number of buildings, including the Church of the
Twelve Apostles, were in a state of delapidation. Places that
had previously been harbours were vineyards. The oldest
picture showing Istanbul in its present state was the work of
Buondelmonti; in it we see that apart from certain important
buildings the inside of the city was empty save for windmills.
The original of this picture of Istanbul, which is in
Buondelmonti's book about the Aegean islands, has never been
found. However, there are more than twenty copies of this work
in European libraries containing more or less detailed
reproduction of the picture. In a work entitled "Weltchronik"
(World History) published in Nurnberg in 1493 there is another
woodcut. Although this picture which is in a book (and the
book is one of the first examples of printing) written by a
doctor named Hartmann Schedel who possessed an extremely large
library - was executed after the conquest it is obvious that
the original was the work of somebody who was familiar with
Istanbul and that is dates from the Byzantine period before
the Ottoman conquest, and that Schedel based his work on this
original. Byzantine vine trellises can be seen on the city
gates and the area inside the city walls is depicted as being
completely empty; even windmills can be seen in the
Sehremini-Capa district o the city. It can also be seen that
certain parts of the Church of the Twelve Apostles, the city's
second biggest church after Ayasofia, are without a roof. In
any case the Frenchman Bertrandom de la Broquiere, who spent
the winter of 1432-1433 in Istanbul, states that the open
spaces far exceeded the built-up areas; this gives us an idea
of the state of Istanbul shortly before the Ottoman conquest
and confirms the accuracy of the engraving. Recent research
leads us to believe that the population of Istanbul just
before the conquest was somewhere between 50,000 and 80,000.
The Genoese, who had suceeded
in obtaining a number of privileges during the reign of Manuel
Komnenos (1143-1180), began, albeit in small numbers, to
settle in Galata in about 1160. In 1261 Mikhael, who wanted to
regain Istanbul from its Latin conquerors, had obtained a
fleet of warships from the Genoese in return for which he
allowed them to settle anywhere they wished in the city. The
terms of this agreement were set out in the Treaty of Nyphaion
(Nif is now known as Kemalpasa). A second decree issued in
1267 guaranteed the Genoese the right to settle in Galata. In
order to prevent the Genoese, who were the most expansionist
of all of the Italians, from acquiring the land on a permanent
basis the Byzantine emperor had the walls of Galata demolished
but in spite of this, Galata, which had become a city in its
own right, was already being ruled from Genoa. In 1303 a new
decree defining the boundaries of their franchise was issued.
The Genoese, regarding the situation as de facto, dug a moat
around the area and then built tall, terraced houses which
resembled the walls of a castle. At the first opportunity they
closed the gaps between the houses with high walls, thus
enclosing the entire area in what amounted to a city wall. In
contras to the declining Byzantine empire Galata became the
main commercial centre on the trade route running from Central
Asia via the Black Sea. The Genoese had put a few token
Byzantine coats of arms on their walls but they continued to
expand the walls o Galata, which was entirely under their
rule. First of all they built the Galata Tower and the walls
to its north in 1349, then the walls in the Karakoy district,
then the walls enclosing the Kuledibi and Sishane districts
(1387), and the section in the Azapkap_s_-Sishane distric
which completed the system in 1397. Finally, in 1404, the
built the walls which enclosed the area between Karakoy and
Tophane, thus extending the boundaries of their colony. Then
they adorned these walls with the coats of arms of their
administrators, thus demonstrating to whom the city really
belonged. Byzantium was unable to take any action to prevent
these development, which were going on right under their
noses. Furthermore, the Byzantine empress Paledogina, who was
of Italian origin, (she was in fact princess Sofia of
Monteferrato), tired of the ill-treatment to which she was
subjected by her husband loannes VIII, fled to Galata in the
15th century and the Byzantines were unable to get her back.
Galata remained completely neutral while the city of Istanbul
was being beseiged and captured by the Turks and in 1453 they
signed an agreement with Mehmet the Conqueror. Galata had come
under the jurisdiction of a cadi Muslim judge) and was thus
under Turkish administration but this was achieved in a
peaceful manner. However, the Ottomans turned a blind eye to
the existence of the Latin community organisation, which
legally administered the churches, until 1682.
Byzantium, which had been
unable to prevent the Italians from setting up a colony on
their land, was steadily shrinking and was now confined to the
area within the city walls and one or two settlements along
the Bosphorus and on the islands. In 1391 the Ottoman sultan
Yildirim Bayazid built the Anadoluhisar fortress on the Asian
side of the Bosphorus and later Mehmet the Conqueror built the
Rumelihisar fortress on its European side and the Byzantines
could do nothing but watch helplessly. The city which the
victorious Turkish army entered on 29 May 1453 was by then
nothing more than the last fortress of a great empire. |
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İstanbul During
Turkish Era :
When Istanbul came under
Turkish rule Mehmet is known to have brought people from
various parts of his empire and settled them in the deserted
and devastated city so that it could be rebuilt. Thus the
names of some of its districts, such as Aksaray, Karaman and
Carsamba, are related to the places from where these settlers
came. In the first years after the conquest there were areas
within the city almost entirely populated by Christians. Then
gradually the non-Muslims became concentrated in certain parts
of the city, such as Samatya, Edirnekapi and Fener and the
remaining area of the city was populated by Turks. In the late
Ottoman period the Galata district was preferred by
non-Muslims and the protective presence of foreign embassies
meant that this part of Istanbul became almost a new city.
This is how the Beyoglu district was created. The Turks
settled in certain places along the Bosphorus, Uskudar (Scutari),
on the bank of the Golden Horn between Tophane and Kas_mpasa
and within the city walls while the non-Muslims preferred the
islands, some of the villages along the Bosphorus and the
villages on the outskirts of the city.
From the period of the
conquest onwards the city was rebuilt on entirely Turkish
lines. Running water was brought to the city by means of
supply lines coming from outside its boundaries, public
fountains and baths were built. The great mosques, which made
Istanbul look a truly Turkish city and were great Turkish
works of art, and the complexes surrounding them, were erected
as well. After the construction in Bayezid of a palace known
as Eski Saray (old palace), another palace then known as
Yenisaray (new palace), and now known as the Topkapi Palace
was built. In order to increase trade, rows of shops known as
'arasta' were built under archways, as were large buildings
referred to as 'hans',in which the goods were stored. In this
new centre of Ottoman-Turkish civilisation madrassas and
libraries were set up so that scholarly activities could take
place and hospitals (darussifa) were built.. A concept of town
planning completely different from that of the Byzantines
dominated all of this construction and development. In a short
space of time the new palaces, water distribution systems,
mosques, shipyard, Janissary barracks, markets and shopping
centres, shrines, graveyards and dwellings endowed the city of
Istanbul with an entirely different aspect. Together with the
great mosques and surrounding complexes built by the sultans,
its leading citizens built mosques both large and small,
madrassas, hans, public baths, public fountains and charity
fountains, all of which made Istanbul into a Turkish city. The
wealthy founders of charitable trusts also played their part
in this development. However, during the Turkish period the
terrible earthquake which took place in 1509, known as "the
Little Day of Judgment", dealt a terrible blow to the city's
brick and stone houses. Fearing the effects of further
earthquakes people began to build their houses of wood instead
and in a short space of time Istanbul became a city of wooden
houses. In keeping with this trend, the palaces and mansions
of the artistocracy were all made of wood. In spite of decrees
regarding fire precautions which even aimed at preventing the
construction of wooden buildings in the commercial and
shopping centres, the use of wood could not be halted. This
inevitably led to a rapid increase in the number of fires in
the city. As well as the earthquakes of 1765 and 1894, which
also caused terrible destruction, Istanbul's greatest enemy
has always been fire. I one of these fires, which were fanned
and driven south-wards by the north wind, happened to start
anywhere on the banks of the Golden Horn this meant that the
city would be doomed to burn for days, leaving thousands of
people homeless, and that priceless treasures and magnificent
mansions would be reduced to ashes. Sometimes these fires
would start from the banks of the Golden Horn and burn until
they reached Aksaray or even the Sea of Marmara. The last
great fires of Istanbul were the Hocapasa fire of 1865, the
Beyoglu fire of 1870, the Laleli fire of 1912 and the
Cibali-Fatih-Altinmermer fire-fighting organisation in the
city and the prevention of further construction in wood meant
that fires were contained to a given area. The last big fire
of this kind destroyed a large pat of the Fener district in
1941. The effects of the fire of 1782, which reduced almost
half of the city to ashes, can be judged be looking at a map
of that period published by a Spaniard. However, it should be
stated that after these big fires leading statesmen paid for
the rebuilding of pious foundation buildings out of their own
pockets. Wooden houses were built to replace the ones that had
been destroyed and within a few months the traces of the fire
had, to a great extent, been removed. It was only the effects
of the fires that took place between 1908 and 1918 that could
not rapidly be removed, due to the fact that the country was
then at war.
In is known that apart from
the destructive effects of these frequent fires and the major
earthquakes that strike the city at intervals of between 120
and 150 years, Istanbul has also occasionally been affected by
hurricanes. One of these took place shortly after the conquest
in 1492, leaving in its wake many casualties and a great deal
of destruction. In Hartmann Schedel's book "World History",
mentioned in the preceding paragraphs the writer describes
this event, recounted to him by "reliable" Italian traders and
brings it to life in an engraving. In Turkish records of this
event mention is made of a thunderbolt which fell onto an old
Byzantine church then being used as a powder arsenal, causing
a violent explosion. This event is also depicted in Schedel's
engravings.
After the conquest an
immediate and planned campaign was launched to make it a
Turkish city. A count was made of the number of dwelling
houses in the city on a scale quite impressive for that age
and Istanbul was redeveloped according to certain principles.
Twenty five years after the conquest according to records kept
by Muhiddin Celebi, the cadi (Muslim judge of Istanbul and
Mahmud Celebi, zaim (the person who held the fief of the
city), of Istanbul there where were 975 Muslim Turkish, 31
Romany, 4893 Christian and 1647 Jewish households in Galata.
Mehmet the Conqueror, who possessed all the qualities of a
European renaissance ruler, brought craftsmen to Istanbul from
Italy. This tradition continued for many years. After Bellini
had been employed in the palace, mention was made of inviting
Michaelangelo and even Leonardo da Vinci to Istanbul to build
a bride over the Golden Horn. Towards the end of the 15th
century, in the reign of Bayez_d II, Istanbul was visited by a
German named Arnold von Harff, who stated that is was "a great
and magnificent city", and went on to remark that the system
of administration in the city was an extremely vigilant one.
Von Harff, who had left his ship at Galata and entered a han
without notifying anybody was horrified to hear the next day
that he had been summoned to the palace. With the aid of an
interpreter known as Frenk Hasan, a German converted to Islam,
the traveller had an audience with the Sultan, and was unable
to conceal his astonishment when asked to work in the service
of the Ottoman authorities. The first of the European
travellers to carry out a detailed archaeological survey of
the city was the Frenchman Pierre Gilles. Gilles (or Gyllius).
He lived in Istanbul between 1544 and 1547 and carried out
investigations. He wrote two separate books about he results
of his survey, one about Istanbul and one about the Bosphorus.
These books are still considered to be valuabla source
material. Gilles, who had been sent by the king of France and
was in fact a botanist, appreciated the natural beauty of
Istanbul and the value of its geographical location. He had
the following to say about it "All the earth's cities are
doomed to perish sooner or later, but as long as mankind
remains on earth this city will endure." M. d'Aramon, who was
French ambassador to Istanbul during the same period, that is,
in the reign of Suleyman the Magnificent, had the following to
say in the travel memoirs he dictated to his private secretary
Jehan Chesneau; "It is abundantly clear that Istanbul is now
an entirely Turkish city. Its hills are adorned with mosques,
the hillsides are covered with houses and groups of buildings
can be seen between the trees." With the aid of certain
paintings executed during this period it is possible to geta
better impression of the appearance of the city. Two woodcuts
by the Dutch painter Pieter Koeck van Alst were published in
1533. In the first we can see the city from the other side of
the Golden Horn and in the other, Sultan Suleyman the
Magnificent passing through the Hippodrome with his suite. In
the background we can see a statue brought from Budin by the
art-loving grand vizier Ibrahim Pasa in 1526, which was still
standing at that time but was later destroyed after the murder
of the latter. However, the picture which depicts Istanbul in
the reign of Suleyman most accurately and is at the same time
the liveliest and the most monumental is that by Melchior
Lorch (or Lorich) of Flensburg. This panorama, eleven metres
in length, was painted in 1599 and is now kept in the Dutch
city of Leiden. It depicts, perhaps with a certain amount of
imaginative additions, and attractive view of he city from the
hills of Galata, Kas_mpasa and Haskoy. The flotilla of boats
and sailing ships that fills the Golden Horn, the cupolas and
minarets to be seen at frequent intervals between the groups
of houses, the magnificent mosque complexes adorning the high
ground all combine to convey a far more accurate and colourful
impression of the Ottoman capital during the reign of Suleyman
than many books of travels. Lorich took a considerable
interest in the Suleymaniye Mosque and surrounding complex,
construction of which was being completed when he was in the
city. He painted a fine picture of Sinan's great work and
later published it in the form of an engraving.
Together with this panorama
of Istanbul, executed in the reign of Suleyman (which can also
be considered the golden age of the Ottomans), by Lorich of
Flensburg, there is a travelogue by another German, Hans
Dernswan, who lived in Istanbul and in Turkey and in Turkey in
around 1554. It is possible to find the Turkish Istanbul, with
all its beauty and individual features in Dernswan's book.
This traveller, who was also a keen researcher, tried to see
and investigate everything in the reign of Suleyman and he did
not neglect to keep a detailed record of his life in the
Istanbul of that time. It is also possible to judge what 16th
century Istanbul looked like from the miniatures of the
Turkish artist Nasuh-u Silahi (Matrakci Nasuh), for at the
beginning of his book about the Iraq campaign there are some
miniatures of Istanbul and Galata. These graceful compositions
show Istanbul with the great mosque complexes, the shipyard at
Kasimpasa, the royal palace, (Saray-i Humayunlari), all of
which had been built before that date, and details of the
inner city with all the structures that existed at the time
such as its covered markets and wooden shops (for they had
still not been rebuilt in brick and stone). In the miniature
of Istanbul that adorned Seyid Lokman's work "Hunername",
written in the 16th century, we see the main mosque complexes
and a tightly-packed mass of houses. In some of the versions
of Piri Reis's navigation guide "Kitabu'l-Bahriye" (the author
died some time between 1553 and 1554), we see another
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